Archive for the ‘The Two of Us (1967)’ Category

Blu-ray Cover

Distributor: Cohen Media Group

Release Date: May 29, 2018

Region: Region Free

Length: 01:27:45

Video: 1080P (AVC, MPEG-4)

Main Audio: 2.0 French Linear PCM Audio

Subtitles: English

Ratio: 1.66:1

Note: Cohen Media Group is also giving the film a separate DVD release.


“It’s extraordinary to make a film on such a difficult subject. It’s filled with pitfalls—pitfalls for [Claude Berri] and also pitfalls for me. That hooked me in immediately, plus he was so enthusiastic and such a dreamer. I was thrilled that in 1967 there were still dreamers and poets in the streets.” -Michel Simon (1967)

Sometimes films sneak up on you. Claude Berri’s semi-autobiographical debut effort is such a film. In some ways, The Two of Us seems like a rather simple story about a young eight year old’s connection with his new grandfatherly guardian, but such a reading is overlooking the more interesting aspects of Berri’s poignant film. The devil is in the details, and the story doesn’t seem quite as straightforward when one considers that the eight year old in question is a Jewish refugee hiding in Nazi-occupied France and that the “new grandfatherly guardian” happens to be an anti-Semitic Catholic man who is completely unaware of the boy’s Jewish origins. Michel Simon portrays the guardian with a crusty tenderness throughout the duration, but his diatribes about all things Jewish aren’t lost on the young boy. The result is a loving relationship that is laced with acid—but young Claude is a clever boy. He understands that the old man who cares for him is all thunder and no lightning. His bigotry is based on ignorance and his affection for the boy is based on genuine connection. He’s a human being who simply seems to absorb the propaganda that surrounds him. The fact that his dangerous ideals have never been seriously challenged is also significant. (One doubts if he has ever encountered a Jew in his provincial country environment.)

Berri never tries to vilify Pepe. He’s simply portrayed as an imperfect man in an extremely imperfect world, and his humanist approach to the character is refreshing. In fact, this grandfatherly gentleman ends up being the film’s tragic figure when one fully expects that figure will be young Claude. It is easy to relate to their relationship. Most of us have overheard relatives or someone that they love say shockingly hateful things about one group or another and have to settle their disturbed feelings about their attitudes and come to some sort of compromised acceptance in order to continue their relationship with these people. Luckily, the young eight year old is resilient. In fact, Claude manages to forge his affectionate relationship to this man by forgiving Pepe’s obviously ridiculous beliefs. They are, after all, based on ignorance. He even teases Pepe about these beliefs throughout the film while turning these dangerous attitudes into a game. What else can a child do? He has a sense of humor about the old man’s skewed attitudes and enjoys calling attention to the flaws in Pepe’s logic. There’s something extremely hopeful about Claude’s refusal to let these beliefs define him or corrupt their mutual affection for one another.

The film’s autobiographical origins are worth noting as Claude Berri was also sent to live with gentiles during the occupation of Paris in 1944—although these gentiles knew that he was a Jew and guarded him from the Nazi threat because they felt it was the right thing to do. In some ways, I am reminded of François Truffaut’s The 400 Blows. Both films are brilliant and affecting debut features, both directors borrow from their own childhoods, and both films reveal unchanging unfortunate truths about humanity. It is no wonder that Truffaut was a great admirer of the film. The Two of Us tackles weighty subjects without dragging the film down with excessive melodrama. Instead, there is a sense of frivolity and fun throughout most of its duration.

French One Sheet

The Presentation:

3.5 of 5 Stars

The Blu-ray disc is protected by the standard Blu-ray case with insert artwork that features the infamous Saul Bass poster framed by the Cohen Media Group’s “C” logo. It seems poor form to criticize their practice of branding their films by framing their art in this manner, but one does wish that they would have made an exception in this case since the Bass artwork should stand on its own. They could at least have made this cover art reversible—although this would’ve made it impossible for them to feature the still that decorates the interior of the case. Cohen also includes a small booklet that features cast and crew credits and film related photography. One wishes that this booklet could have featured the infamous Truffaut essay about the film, but this is a small complaint.

The disc’s menu features footage from the film and is both attractive and intuitive to navigate.

Picture Quality:

5 of 5 Stars

Cohen Film Collection is proud to present a gorgeous new 4K restoration of this world cinema classic. This is the sort of transfer that is great enough to speak about it in extremely general terms, because every single aspect of the image is simply gorgeous and beyond reproach. Cohen’s Blu-ray image is as perfect as anyone has any right to expect from the format. Detail, depth, density, and grain resolution, all perfectly represent the original source (which must have been in surprisingly good condition from the outset). This is a huge improvement over the old Criterion DVD.

Sound Quality:

4.5 of 5 Stars

It’s always a bit more difficult to rate the audio transfer on these older films, because many audiophiles have ridiculously high expectations. They want a dynamic sonic experience that puts their expensive sound systems to good use. However, it is much more important to have a faithful representation of the film’s original audio mix. Cohen’s Linear PCM mono track is an extremely clean and faithful representation that supports Berri’s visuals admirably. This is a narrow track and isn’t at all dynamic, but these really aren’t fair criticisms.

Special Features:

3.5 of 5 Stars

There are a handful of supplements available on Criterion’s DVD release of the film that aren’t included here. The interviews with Claude Berri and his Oscar-winning short, Le poulet (1962), would have added considerable value to this release. Fortunately, the material included in this release is also essential viewing for anyone with an appreciation for French cinema.

Feature Length Audio Commentary by Wade Major

Wade Major (film critic with NPR affiliate KPCC-FM and co-host/producer of the IGN DigiGods Podcast) gives a surprisingly instructive commentary that adds to one’s appreciation and enjoyment of the film by contextualizing the film’s story and events, theorizing about certain story elements, providing information about the film’s production, and discussing background information about Claude Berri, Alain Cohen, and Michel Simon.

Michel Simon Discusses The Two of Us – (01:25)

This interview excerpt is too short to provide the viewer with anything more than a few general comments about his involvement with this production and its reception, but it is nice to have it included here as a historical artifact.

Michel Simon and Jean Renoir in Conversation – (06:00)

The same can be said of this excerpt from what looks like a much longer program (though we could be wrong). Simone and Renoir discuss La Chienne in a very vague and general manner while offering each other the credit for the film’s success. Later, we see Simone waxing nostalgic about those he has worked with (with Sacha Guitry receiving and especially affectionate mention). There isn’t anything about the film in question, but fans will probably be glad to have it included here in any case.

Restoration Re-Release Trailer – (01:45)

Cohen rounds out the supplemental package with their restoration re-release trailer. It’s very nice to have it included here, but one wishes that the film’s original trailer could have been features as well.

US One Sheet by Saul Bass

Final Words:

Cohen’s 4K restoration transfer of The Two of Us is a gift to Blu-ray collectors everywhere. It comes highly recommended!

Review by: Devon Powell